Movie Review : Hampi

Published November 20, 2017 by vishalvkale

I review only the best movies; the next one that qualifies is Hampi. Some people told me Hampi was a movie. Some told me it was a great movie. Some told me it was a travelogue. Some told me it was a sweet movie. Well, all the above were wrong; all the above were right – and all the above did not, in my opinion, come even close to what Hampi is. It was a relatively short movie – if you can call it that; which I don’t. It was over in 1 hour and some 40-odd minutes tops. It wasn’t a moving movie; it wasn’t a deep movie; it didn’t deal with esoteric subjects. It also isn’t a movie that will appeal to everyone, that is also equally true. You need, in my opinion, a particular kind of emotional / artistic / simple outlook in your mind to truly connect.


हंपी एक नुसतं चित्रपट नसून एका उत्कृष्ट कवी ची कल्पना असावी; एका विलक्षण चित्रकाराचे चित्र असावे. हिला  एका महान कवी ची कविता जरी म्हंटलं तरी चालेल. ह्या चित्रपटाची सर्वात मोठी गोषट तर हि आहे कि ह्याच्यात एक एक फ्रेम, प्रत्येक सीन, प्रत्येक क्षण फार विचार करून ठेवलेला आहे. पात्रांनी म्हंटलेली एक एक वाक्य त्यांनी म्हंटलेले एक एक शब्द खूप विचार करून ठेवले गेले; एवढे जर पुरत नसेल तर हे पण खरे कि ह्या चित्रपटात शांतता चा वापर सुद्धा खूपच उल्लेखनीय आहे. फक्त हेच नाही – संगीत आणि पार्षव संगीत, म्हणजे बॅकग्राऊंड स्कॉर व गाणी सुद्धा चित्रपटाशी, संपूर्ण वातावरणाशी आणि इतक्या सोप्या आणि सरळ रीती नि मिळतात आणि एकजीव होतात कि अगदी तर्क संगत व स्वाभाविक वाटतात


This is a labour of love; it is a poem, it is a lyrical story of a maestro author, a signature painting of a top painter, it is a masterpiece of artistic creation with each and every cinematic sub-item in perfect consonance with the beauty of the story and the script. If there is perfection anywhere – it is here, it is here, it is here – in this stupendous creation of love, harmony, art, entertainment, poetry, prose, painting, canvas all rolled into one.


THE STORY
The story, per se, is simple – it is a story of a disillusioned daughter, whose parents are going through a divorce. She decides to get away from it all, and plans a holiday to Hampi {a tourist destination of breathtaking natural beauty in Southern India} with her close friend. The friend cannot make it and cancels – so she lands up alone, and runs into a co-resident in the hotel she stays at. The story is of her experiences in Hampi, with the taxi {auto} driver, a handicrafts-woman, a sadhu; and most of all, for the large part, her continuous banter with Kabir, the guy who stays at the hotel. Until that is the other lady, the best friend, arrives… no, don’t jump to conclusions, please. Nothing like that. But it does cause a bit of a change in the scenario. Saying anything else will be a spoiler!
THE ANALYSIS
As I observed earlier, a story is one thing, the script quite another. The difference, the magic is in the script and screenplay, which weaves in a scenic tour of the magnificent ancient township of Hampi, effortlessly co-creates a story of ethereal visual appeal that will transfix you with its awesome cinematography, which is one of the biggest pluses of the movie. At no point does the slow pace of the story get to you, such is the hypnotic beauty on screen!
This is a movie in which every word has been chosen and placed with great care and attention; every frame has been tastefully placed almost – with great love; every note of every musical score has been crafted to gel into the entire scenario, and blend in effortlessly. Even the silences interspersed throughout the movie are chosen with great care, passion and add to the story, the overall hypnotic transcendental magic and the beauty of the overall product. This is a true Gem in every sense of the word. Loaded with memorable dialogues, even more memorable silences, heart-warming music and background score, and superlative cinematography. What more can you want?
What more can you want, you and I say? The stunning, natural and effervescent performances by the entire cast; Lalit Prabhakar, whose talent we saw earlier in Chi V Chi Sau Ka; Sonali Kulkarni – who needs no introduction; and the supporting cast – all played their part to the best of their considerable talents. Everyone has a strong, scriptwriter-backed role; but they have put in the performance of their lives. Sonali as Isha is a revelation in this excellent role; Lalit as Kabir is, as usual, tops. They carry the story on their shoulders, ably supported by Priyadarshan Jadhav and Prajakta Mali.
Reviewer after professional reviewer has stated about the absence of a story, of the lack of a coherent narrative; they are flat wrong, period.  It once again shows that the so-called professional reviewers are totally out of touch with audience tastes. While the professionals rate in 2.5 stars, the audience ratings are above 3.5. That shows the divergence in audience and the professionals. The film has a lovely, deep story – one that has to be understood by an emotionally awakened intelligent person.

It is a story told through sparse words, words pregnant with meaning; through soulful music, through penetrating and telling silence, and their combination which together craft a story of the conversion of one person – Isha, from a negative, slightly depressed, slightly angry element into a vivacious soft person. One can easily see, at the end, that this is the real Isha and that the depression was a temporary trauma brought by a painful divorce of her parents.  It has a moving, mesmerizing story; that the professionals weren’t able to fathom it shows they need to understand a real artistic creation, not just go through the motions of watching it! All in all, rated 5 stars. Note that I only review the best of the best Movies; and it has qualified for my blog…

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